Born in Pato Branco/Paraná, Brazil in 1976, where he currently resides. Graduated in Architecture and Urbanism at The Tuiuti University of Paraná, Curitiba/Paraná, in 2004. During the course, the Classes of History of the Arts favored contact with the works of some artists who, along with Friederich Nietzsche's philosophical thought, influence their artistic expression. He worked as an architect until 2022 when, after 14 years in a real estate development company, he had professional exhaustion. It is self-taught in the world of painting. He began his career in August 2021, during a personal crisis. His works seek to represent human feelings, not only those of the artist, but of everyone, which is done through an abstract representation.
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Anderson Perin stands out for his intense and visceral pictorial exploration, where color and gesture intertwine in a spontaneous dance of energy and meaning. His artistic language draws from the tradition of action painting but evolves with a contemporary sensitivity that engages with matter and time. His works result from a free gestural process, reminiscent of Pollock’s instinctive approach and abstract expressionism, yet infused with a personal imprint rooted in the emotional exploration of color.
The series Cores em Cores: Sonhos! represents an investigation into color perception as a sensory and psychological experience, where color is not just a visual element but a catalyst for emotions and meanings. Each canvas is constructed through an interaction between chaos and order, where the painterly gesture manifests in splashes, drips, and layered pigments, creating depth and movement.
In Doa-se um Coração Maltratado, Perin pushes his research beyond traditional painting by incorporating materials such as cardboard, gauze, and adhesive tape, giving a sense of vulnerability and suffering. The artwork becomes a metaphor for a wounded heart, exploring human fragility through a layered and powerful aesthetic.
Perin’s poetics reflect on the energy of color, the spontaneity of gesture, and the ability of art to convey deep and universal emotions, transforming the canvas into a field of visual and existential tensions.
By GALLERYONE962
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Português
Nasceu em Pato Branco/Paraná, Brasil em 1976, onde reside atualmente. Graduou-se em Arquitetura e Urbanismo pela Universidade Tuiuti do Paraná, Curitiba/Paraná, em 2004. Durante o curso, as aulas de História das Artes favoreceram o contato com as obras de alguns artistas que, aliadas ao pensamento filosófico de Friederich Nietzsche, influenciam sua expressão artística. Atuou como arquiteto até 2022 quando, após 14 anos em uma empresa de incorporação imobiliária, teve uma ruptura profissional. É autodidata no universo da pintura. Iniciou sua carreira em agosto de 2021, durante uma crise pessoal. Suas obras buscam representar os sentimentos humanos, não só do artista, mas de todos, o que é feito por meio de uma representação abstrata.
Anderson Perin destaca-se por uma exploração pictórica intensa e visceral, onde cor e gesto se entrelaçam em uma dança espontânea de energia e significado. Sua linguagem artística se inspira na tradição do action painting, mas evolui com uma sensibilidade contemporânea que dialoga com a matéria e o tempo. Suas obras resultam de um processo gestual livre, que remete à abordagem instintiva de Pollock e ao expressionismo abstrato, mas com uma marca pessoal ligada à investigação emocional da cor.
A série Cores em Cores: Sonhos! representa uma investigação sobre a percepção cromática como experiência sensorial e psíquica, onde a cor não é apenas um elemento visual, mas um catalisador de emoções e significados. Cada tela se constrói através da interação entre caos e ordem, com gestos pictóricos que se manifestam em respingos, escorrimentos e camadas de pigmentos, criando um efeito de profundidade e movimento.
Em Doa-se um Coração Maltratado, Perin leva sua pesquisa além da pintura tradicional, incorporando materiais como papelão, gaze e fita adesiva, conferindo uma sensação de vulnerabilidade e sofrimento. A obra torna-se uma metáfora de um coração ferido, explorando a fragilidade humana por meio de uma estética estratificada e poderosa.
A poética de Perin reflete sobre a energia da cor, a espontaneidade do gesto e a capacidade da arte de transmitir emoções profundas e universais, transformando a tela em um campo de tensões visuais e existenciais.
2022
Acrílico sobre tela
120cm x 70cm
Obra selecionada para a Bienal Internacional de Curitiba - Categoria Stories00
2022
Acrílico sobre tela
113cm x 70cm
90 x 200 cm (h x w)
Acrylic on canvas
500 EUR
165 x 145 cm (h x w)
Acrylic on canvas
700 EUR
40 x 49 cm (h x w)
acrylic on wood panel
250 EUR
I obtained the title of DDM (Doctor of Dental Medicine) through my education, and in my successful 45-year career, I specialized in working in a small space, measuring 1x1 mm, within a limited time frame, where the main goal was to achieve smooth surfaces and customer satisfaction, thus ensuring my livelihood.
However, 15 years ago, I suddenly felt something unusual and began engaging in artistic creation. Everything changed. In my hands, there were no longer limitations of time, surfaces, or rules. There was no commercial background anymore. Finally, I felt free and connected to God, who expressed Himself through my art.
In addition to the traditional canvas, I started using various materials such as wood, metal, plastic, earth, glass, and discarded materials, giving them a new life and purpose in our expansive universe. During the creative process, neither time nor space exists. At that moment, I am the happiest person in the world.
200 x 80 cm (h x w)
acrylic on an old door
300 EUR
40 x 25 cm (h x w)
Acrylic on paper
200 x 90 cm (h x w)
acrylic on an old door
500 EUR
100 x 70 cm (h x w)
Installation
155 x 155 cm (h x w)
Acrylic on canvas
Relationships
47 x 37 inch (h x w)
USD 900
Nadia is a creative soul who finds immense joy and fulfillment in expressing herself through various mediums. Poetry, writing, and abstract expressionism art are her main crafts. But what truly sets Nadia apart is her penchant for working with a variety of mediums, allowing her artistic process to flourish. For Nadia, embracing different mediums becomes her ideal means of self-expression. It's through this diverse range of creative outlets that she is able to fully explore her thoughts, emotions, and ideas. Whether it's carefully crafting a poem, weaving words into prose, or painting vivid imagery through abstract art, Nadia seamlessly transitions between these artistic forms.
Each medium serves its own distinct purpose in Nadia's artistic journey. Poetry lets her delve into the depths of her emotions, intricately weaving words together to create breathtaking imagery and profound meaning. Writing, in turn, provides a platform for her to convey narratives, share stories, and explore the intricacies of human experiences. And then there's digital abstract art, a realm where Nadia's subconscious flows freely. Through this medium, she unleashes her creativity, experimenting with colors, shapes, and textures to create mesmerizing pieces that likely evoke emotion. Nadia's artistic process is a reflection of her individuality and her desire to constantly push her self and her creative boundaries. Each new idea that takes root within her mind manifests itself into a unique purpose through the chosen medium. It's this versatility that allows her to explore different facets of her identity and share her artistic vision with the world. It is a way for her to connect with others on a deeper level. She hopes to inspire, provoke thought, and invoke emotions.
47 x 37 inch (h x w)
USD 1700
47 x 37 inch (h x w)
USD 980
47 x 37 inch (h x w)
USD 900
USD 900
Born in Greenwich, CT, Emily M. Hopkins received her B.F.A from Pratt Institute in 1987 and an M.S.W. From NYU in 1999.
Her art is inspired by many pivotal aesthetic experiences including living/traveling in Europe, studying Eastern
philosophy/art, and having a lifelong home in Coastal Maine. She is interested in making non-objective artwork that has an
immediate bold impression on the viewer through presence, gesture, richness of color, and symbolism. These works are
about creating an internal psychological & emotional landscape that the viewer can exist in and move through. Artists
she admires include Howard Hodgkin, De Kooning, Joan Mitchell, and Gerhard Richter. She studied Anatomy at RISD (1980),
attended The Art Institute of Chicago (1983), Art Student's League (1984), and a Summer art residency in Venice, Italy
(1985). While living in NYC she exhibited in several group shows including the Schaffler Gallery, Brooklyn, NY (1987). Since
moving to Maine full-time in 2004, with her husband and 2 children, Emily's exhibits include a one-person show at The Yellow
Shed, Rockland in July 2016 and showings at Carver Hill Gallery, Leighton Gallery, Husson College, and the Center for Maine
Contemporary Art. Her work is inspired by the bold elemental forces of nature experienced living in coastal Maine.
16 x 24 inch (h x w)
Oil on canvas
36 x 48 inch (h x w)
Oil on panel
48 x 60 inch (h x w)
Oil on canvas