Welcome! Swipe down to see the interviews

  Have you always wanted to pursue this profession?

No… When I was very young, I thought about becoming an archaeologist to research plant fossils (prehistoric trees) in Antarctica, but in Brazil little was said about archeology, so I realized that the profession was undervalued and that it would be very difficult to make a living from it. So I left it to choose a profession later.

 How did you approach drawing and painting?

I always liked to draw.
My older sister noticed this and paid for a correspondence art drawing course (this was in the late 80's). It was a course of almost a year, with monthly materials, as long as it was approved in the previous workbook. In one of the handouts, there was an introduction to painting, but with figurative reproduction of photographs, landscapes… 

The first reproduction was a building in a large green space, and it impressed me a lot because of its form. I only discovered that it was the Chapel of Notre Dame de Haut, in Ronchamps, France, when I was at the University. It was this work that inspired me to pursue architecture. Also, as a child, I played a lot with cars, creating and thinking about imaginary cities, so there was a direction.

Training in architecture helped in the knowledge of the history of the arts and various concepts, but painting really emerged in 2021, after a crisis of burnout at work, the recognition of the depression I was already living and the separation in marriage.

 And what does the drawing represent for you? And how do drawing, painting and architecture come together?

For me, drawing represents the possibility of creating a world with your expression, your brand, even if it is the reproduction of a certain space in the world or the city where you live... It's your trait, your interaction with paper , your feelings that will create this “new world”, no matter if it is an abstract or figurative, psychedelic or digital representation… it is your vision, your expression of the world.

With this we have the union of architecture, drawing, painting, on a single level: the transformation of reality!

Architecture is about creating a livable sculpture, where painting and drawing complement our experience in this world, influencing our feelings at every moment.

 What is art and what does it mean to be an artist?

In my understanding, art is knowing how to perceive or transmit something that is offered to us by the universe... In the universe everything is art... bringing closer to us, the Sunset, the sunrise, a mountain, a flower, a river , people… People are works of art… each one is special, unique… When we fall in love, we fall in love with someone who has awakened or elevated our feelings to another level. This is art!!! Art has this power, to elevate our feelings, our perception of the world around us, as well as Love... So, seeing a work of art is like falling in love... it's having your soul touched in an inexplicable way... feel transported to another level...

And being an artist is being that person who will be able to help the vast majority to understand the feelings that the work wants to convey… Being an artist is being an instrument of sensitization for people!

  What are the prevailing colors of your palette?

In my color palette, it will always have black and red (together or separately), but it will always have one of these colors. If you don't have any, my work is incomplete.

When you see a work of art, what first calls your attention? The shape within the work or the color?

Color first... Ever

 

 


  How much is your conception of Nature and your pictorial style linked to environmental issues?

It's a difficult question to answer... in my work there may not be this explicit connection, but I'm very connected to environmental issues... , or else I take walks in the rural areas of my city so that alone and in silence, I seek inspiration for the next works. This consideration of environmental issues was also one of the factors that strengthened my departure from the company where I worked in the field of architecture… There they only thought about profit, not about environmental issues or quality of life for people… a lot, because I needed to do what I didn’t consider right…

 Have you ever dreamed of a work to be created?

Yes, sometimes…
My works usually appear as a thought, a word, a sentence or a flash of a drawing or set of colors… and they keep hammering in the subconscious until I paint. Some appeared in dreams, as a vision of the work or as a word that made me turn into a painting.

A great example is the work “Dreams” (which is on my Instagram)…
In the dream I was imprisoned and to have freedom I needed to paint a picture… and that's exactly what I painted in my dream!

When do you understand that a work is finished?

I think this is very particular to each artist…
I have the feeling that the work speaks to me: “Hey, I'm ready! Ended!". From this moment on, any drop of ink will spoil the work.Then the trance ends and I finish the work!


Are there any techniques or formats that you prefer?

I have a very strong reference to Pollock, something that seems kind of chaotic (like my life… hahahaha), so “dripping” is a very apparent technique in my work. And as for the format, I prefer large formats, preferably vertical.

 Projects for the future!

 I intend to have a spacious studio, because after my separation, I started to live in a very small apartment and I need to cover the entire space of the room when I paint, and the living room becomes a drying space for the works… so I am restricted between producing and inhabiting (hahaha);

 I intend to live for art and for art (the reason I chose architecture… to offer beauty, feelings for people);

 I also need to sell my works... My son is going to study medicine and I need to pay for the university.

 Having a person next to me (as I said in the middle of the interview, my work of art, and who also sees me as theirs… hahaha) to dedicate the love that today I have to dedicate only to my works! Excuse me… Jokes aside!

October 2O22 

   How did you approach painting?

 My mother was a talented artist.  It took me a long time to get started with the creativity on the canvas.  I am self-taught because my mother did not paint with acrylics and certainly not with structural materials.

  Are there any techniques or formats you prefer?

 I tried a lot before I found my way.  My path is not definable.  I think it's because I let my soul paint.

 It's like eating or cooking. I don't have any preferences every day, sometimes I just like noodle soup.  My art is supposed to be versatile and therefore I'm still looking for new materials and combinations.  On my site you can see many different types of painting from abstract to my beloved bulls

   What are the prevailing colors in your palette?

 All colors that match the artwork

  What excites you about an abstract artwork?

 The different points of view to look at an image.  Sometimes you see a figure in it and sometimes, the next day it changes into a landscape.

 It is the work with different structural materials, a combination of ink or other smooth products that are nested in the structures.

  What messages can you read there?

 Working with my bulls always gives me power and also with works for my clients!  Watching the bull gives them strength.  I enjoy both types of work because it is like a vacation for the mind.

 Is there a painter who inspires you in a particular way?

 Gabriele Musebrink a great great German painter gave me the passion to paint with materials other than colors.  There are many others but she gave me the impetus to work with the structures.  The motive for painting bulls began with a visit to a gallery.  The look on him triggered something in my soul.

  What does it mean to be a painter today?

 In all times it has been difficult for an artist ... to be understood, to be respected, to be conquered in the form of money.

 An artist is out of the ordinary and needs optimism and perseverance.  I owe them both!

 Tell us about future projects.

 The next project is an exhibition at the Gut Kaltenbrunn Tegernsee near Munich with my Gallery located in Innsbruck.

 A great project is my job as a course manager to show my technique to all interested people.  In my atelier they can book a detailed workshop and also from Boesner, a great art dealer

Galleryone962 presents the interview with the Japanese artist Madoka

Where did Madoka's painting come from?

This is a good question.
I'm not sure, I'd say that's all.
Sometimes it's through music that I hear, something I experienced as a child, colors on earth and so on. Sometimes, when I just look at the colors, I get inspired and start painting.
If anything, I don't think and paint, but I paint intuitively.

What messages can you read there?

That I can be inspired by everything!  Especially from the colors that surround us on this beautiful earth. I feel its energy and express it intuitively.


Do your colors also express moods?

Colors don't express my moods on every artwork, but after I finish painting, looking at the piece, the colors and textures on the piece sometimes affect my feelings.

 What, of one of your paintings, best focuses the artistic personality?

Those with storylines that use a variety of media.  I feel very comfortable and enjoy painting them.

Quantum Leap 

53x45,5 cm 

Mixed media 

Available 

What excites you about a work of art?  

The composition or the color?

Recently, I like artistic textures with different types of mixed media. Colors usually relax me and I usually don't think much about composition.

Is there a painter who inspires you in a particular way?

When I was younger, I loved Dali's paintings.  His vividly colored paintings stayed in my mind.
Now, there are many artists that I admire.
I especially love abstract texture artists and flued artists.  I am learning from them every day.

 What does it mean to be a painter today?

As an artist, I would be happy if people look at my paintings and "feel something", "see something", "enjoy the colors" and "enjoy the sound" from the colors and textures.  Hope I can share the good mood and make them happy.

What do you think of the digital age we are living in relation to art?

I think using digital platforms is easier for artists to showcase their artworks, but I also think real artworks can be more direct and make people feel the real energy more than digital ones.  The artist can use the digital form to make themselves known in a wild way and use real exhibitions and fairs to make the public feel closer to their artwork.

In general, what impression do you try to arouse in those who look at your paintings?

I would be very happy if viewers could feel and see something they need at that moment in their life situation and consequently if they would appreciate the colors, energy and so on they feel from my art.  It's hard to explain, but if my art could inspire someone and make their life happier, or more exciting, that would be great.

Tell us about your future projects.

I will not stop learning new things about art and will continue to have fun.  I would also like to try new techniques. Art shouldn't just be painting or drawing, it could be film, photography, sculpture, music, dance and so on. If I'm inspired by them, I might try other things!  For now I'm an abstract artist and I'm very happy about it.

Music 

60x40 cm 

Acrylic poring - canvas

No for sale 

 How and when did you decide to pursue a career as an artist?

Artistic inspiration came to me late in life. I grew up in Chicago absorbing stories of my family’s cultural and political upheavals as they emigrated from Europe
through Asia. I guess I was born a nomad. 

Traveling to faraway places became a driving force and I found myself in France working in various

sectors. 

The journey extended to Central Asia, The Middle East, Asia, and Africa. I was particularly drawn to textiles, architecture, and ancient world panoramas.
Upon returning to the States, I found expression through paint for all those inspiring images. 

In 2016 my miniatures inspired by the Middle East were shown in an emerging artists exhibition in Charlottesville. A job opportunity came up soon after and I left for China.
Upon returning and moving to Alexandria, I picked up my creative process again in 2018 and started creating larger pieces. My solo show “Eastern Light, inspired by Central Asia last year at The Art League Gallery, Torpedo Factory along with shows in other galleries such as GalleryOne962 and awards have helped me continue this journey.

  Which place do you prefer to dedicate yourself to painting?

I prefer creating my mixed media pieces in a room upstairs of our home that I turned into a studio space.

 What does abstract art represent to you?

Abstract art represents freedom of expression. I don’t have to recreate something that is right before my eyes. It gives me time to reflect upon visual impressions, emotions, and life experiences, which is a driving force for my work.

  In your training, before entering the abstract world, did you go through a pictorial phase oriented towards the figurative?

I had taken a few art classes in college that involved still life and figure drawing. I really jumped into abstract figurative expression once returning from the Middle East and began working on a series of miniatures.

How do you make your works? Do you create a precise project in your mind or do you act impulsively and emotionally?

I found out that what I really want is to tell stories. I might have the idea in mind before beginning the process or the precise project takes shape while creating my pieces. 

 Is there always a great balance in your works, when is harmony fundamental as a final result?

Great balance comes from the desire to create a strong and cohesive group of works. I aim to have my individual pieces come together to make the story whole while being able to stand alone. 

 I am very struck by the shades of purple, on which the whole design is built… tell us why this colour.

The works you have been exhibiting so far in various abstract shows at GalleryOne962 are part of the series entitled “Alchemy”. Attempting to
transform base metals into gold was widely spread in the Muslim, Asian and European worlds. Purple was at the time a predominant color reflecting
spirituality and what you are seeing is a personal expression of this scientific and philosophical movemen

 What words would you use to define your art to a collector?

Inspired, strong, emotional, and reflective.
9) Are there artists from the past that inspire you?
Of course! Chingiz Akhmarov was a classical Uzbek artist. He created miniature figures that had a magical, floating feeling that are represented often in Central Asian art, and I had the great honor of meeting him. Other artists who inspire me
are Gustav Klimt, Wassily Kandinsky, Mark Rothko and Natalia Goncharova. I could go on and on but maybe this is enough for now.

Future projects?

I would like to create pieces inspired by Africa as I have lived there. There is so much to be inspired from and I hope to put those emotions and reflections onto canvas or another support material.
To keep on creating abstract mixed media pieces!

We asked the artist Marie Kerrenneur to talk about her art, the beginning, her technique and her style.

Where does Marie Kerrenneur's paintings come from?

I had the incredible happiness of discovering the world from my youth and constantly browsing through it, eager for discoveries, unexpected events and wonderful human encounters…
And one day, a new discovery, I become a self-taught artist!!!  a new adventure, a sure escape…new Passion!
What messages can you read there?
Seduced by so many materials, I dedicate myself to working with them, assembling them or not.
Constantly looking for new mixed techniques and others…I create various universes that can evoke dreams, stories, revolts, emotions…..or your research??

“Art is an effort to create a more human world alongside the real world” André Malraux

Do your colors also express moods?
And which ones arouse the most emotions?

Shades, colors can sometimes be the reflection of a state of mind?  is he conscious?  unconscious he asks me.

• I like natural tones sometimes associated with a dark tint that can give a certain power to the painting, another depth, another meaning….  

Pages blanches 40x40 cm

What excites you about a work of art?  The composition or the color?

I like to translate this need for literature, culture into my painting, I work a lot on books and what they mean, I cry out this freedom for everyone to access literature, the freedom to think because so many people are oppressed, it is intolerable and revolting.
I also express all the trampled Freedom, all the repression and of course the Absurdity of wars!!!!
What also fascinates me is the unknown, the unpredictable that will take me to an unsuspected universe when I start a painting... Escape, creation and the personal and spiritual search...A fabulous new journey!!!

Is there a painter who inspires you in a particular way?

I'm a fan of Anselm Kieffer's work,
his works are exceedingly powerful, they
deeply disturbed.  I see all his
Exhibitions… maximum sensations guaranteed!

In general, what impression do you try to create in those who look at your paintings?

Many artists, to exchange, and to discover our
work all over the world, it's great.
I really like exhibiting, because nothing is more exciting than these exchanges with people who are discovering my artistic universe and with whom I try to interpret it.
their words, their emotions, their personal story….
I've tried to suggest dreams, riots,
stories, other universes... I shared literature,
poetry and painting… A world so rich and so
thrilling !!!
A new type of travel where I feel
intense moments of happiness, peace, interiority and
of escape….another Universe!!!

Can you tell us about your future projects?

Always passionate about travel, discoveries,
human encounters, i would like to exhibit internationally !!!
There are many exhibitions scheduled in France and Spain. 

Vivants à jamais !! 

40x40 cm

 Tell us about the beginnings, how did you get into abstract art? 

I used to love to doodle when I was a kid. Later, when I was training to be a nanny and educator, we had art classes. Discussions with teachers about grading art led me to move away from making art. It wasn't until I fell ill with depression that I started to think about it again. Since 2013 rather sporadically and with acrylic paint. I've only been painting as intensively as I am at the moment since 2021, and above all digitally. But it's always important to me to paint more than exhaust the technical possibilities. My label is called My GschlampArts. Maybe that's why I also paint abstracts, because I can't paint so well otherwise. But who knows where painting and art in general will lead to.

  How does inspiration come about in your job and how do you manage to find it? 

I find inspiration in a wide variety of situations. I work professionally with people, like to watch films and look at the world around me with open eyes and ears. At the same time, I wander in thought and try to talk to my God. I think he is the greatest creator. As a creator, he shows me something new every day. No sky view is like the other. I often have a thought out of the blue. an impulse. Then I have to paint. A word for a picture. And I start painting. Usually without a specific plan. Then, after a certain time, I have the impression that the picture is finished. Now I can give it a title.

  What are the basic human messages underlying your artistic production? 

I think the world, life is more colorful than you think. Those dealing with depression often see the world in dark colors, even down to the deepest black. But I have experienced myself that painting helps me. The power of colors, creativity and reflecting on myself helps me to overcome the illness. Not always, but more often. And with my art I want to motivate people to deal with their spiritual side and I hope they find a way to our Creator.

Let's talk about his favorite subjects.

What excites you about a job? 

I love playing with colors and experimenting. I read few instructions on how something works. I want to discover it myself.
The composition or the color? I think both. Composing an image requires certain skills. I still have a lot of practice to do here. But with the colors I can put them together as I want. An object, a force of nature, a living being, etc. can be represented in all possible colors. Colors that mean something to me at the moment and are present in my head and heart.

Is there an artist who particularly inspires you? 

The Creator - my creator, ….. Picasso, Klint and Monet, Werner Geischberger, Jakob Lang,

  Something I didn't ask for that she wants me to know.
I wish all people to be like a child. Maintain curiosity and joy in the moment and in being. So everyone can also be an artist.

  Future projects?

I am currently working on a small project in a group - OM Arts Germany. Set up my "laboratory" and work for an exhibition in November in Bad Reichenhall. I have a small order for a three-part picture and I am mentally preparing for an exhibition in April 2024.

Cuéntanos sobre el comienzo ¿Cómo llegaste a la pintura abstracta?

LLego a la pintura abstracta después de un largo proceso de trabajar, tanto en gráfica como en pintura, de un figurativismo geométrico a una
descontextualización de la figura en diversos planos sin perder la geometrización de los trazos y generar diversos y sutiles planos en la
obra.

¿Cómo surge la inspiración en tu profesión y cómo logras encontrarla?

La inspiración es una condición sine qua non de todo ser humano, todos estamos en algún momento de la vida inspirados, yo la encuentro
a través del estudio, el bagaje cultural, la poesía, el camino que nos lleva y nos trae a las emociones y sentimientos.

¿Puedes hablarnos de las técnicas que utilizas?
 

Tengo como profesión el arte gráfico, sobre todo el calcográfico, de aquí he pasado paulatinamente al óleo y he terminado en el acrílico, el cual me da la posibilidad de un trabajo más inmediato y gestual, en el siento
que plasmo en mi obra el torrente de sentimientos y emociones que en
ese momento fluyen. Utilizo básicamente espátulas de plástico, de metal, trapos de algodón y rara vez brochas o pinceles

¿Cuáles son los mensajes humanos fundamentales en la base de su
producción artística?

Mi preocupación fundamental es el entorno físico y emocional de diversos grupos sociales, pongo énfasis, por un lado, a nuestra relación
con el medio ambiente, a la preocupación del brutal deterioro de nuestro hábitat natural, si dejar claro, por otro lado, las problemáticas
sociales que nos aquejan como grupos sociales sin perder de vista mi conciencia individual, mis emociones y sentimientos
Hablemos de sus temas favoritos.

7 octubre 2022

Mixta  70x100 cm 

¿Hay técnicas o formatos que prefieras?

Ultimamente estoy enfocado mucho en el collage, con restos de papel algodón provenientes de mi gráfica, cosidos con hilos teñidos a mano, los uso en relación al deterioro de las relaciones humanas causado
mayormente por la violencia, la destrucción, la segregación y el uso indiscriminado de las herramientas tecnológicas, creo que es tiempo de utilizar estos “hilos” y papeles rasgados para empezar a zurcirnos como grupos sociales e individuales a volvernos a coser y cobrar conciencia de lo que somos. Siempre he preferido el formato pequeño y/o
mediano, siento que la obra de esta forma es mas intima, mas mía, mas acogedora y mas profunda.

¿Qué te emociona de una obra de arte? ¿La composición o el color?

creo que los dos son aspectos importantes de una obra de arte, la cuestión de ambos es que emocionen, cambien el estado de ánimo,
que puede ser para bien o para mal, que nos haga reflexionar o simplemente sentir que nos mueve sentimientos y/o emociones

¿Hay algún pintor que te inspire de alguna manera en particular?

hay una gran cantidad de pintores, grabadores, escultores que me emocionan e inspiran, nombrar solo a uno o dos sería algo injusto para
todos los demás y para mi.
Algo que no te he preguntado y que te gustaría que supieras ..

¿Proyectos futuros?

Tengo un proyecto de exposición individual de collages, sobre el
reencontrarnos como individuos, dejar a un lado las mentiras y presiones tecnológicas, mirar nuevamente hacia nuestro interior y de
ahi volver a “zurcirnos” como grupos sociales mirando que somos parte fundamental e indivisible de nuestro entorno natural.

Tell us about the beginning, 

My first interest in creating art was in an 8th grade art class. I remember charcoal rubbings and painting with oil. I had a cartooning class at a local art center in high school but quit the class because I saw that I wasn’t very good at drawing. I didn’t continue after that class until I was hospitalized for depression after high school. An art therapist gave me a set of watercolors and paper. She showed me some techniques, but basically said see what you can do with it. I went to another art class where I was introduced to acrylic painting. I started painting with acrylic as a hobby in my parent’s basement. I didn’t continue because of my living situation until about 2009 when I got a townhouse with laminate floors and a spare bedroom. I started painting 8x10s, 11x14s, and 16x20s more seriously. My mom helped me find places to try sell them, but it was hard because we didn’t have a website and didn’t know how to go about finding places to display them. We learned about Visual Art exchange, VAE, Artspace, and Arts Access 2017-2018 and participated in exhibitions/events through those organizations. 2019 was a year of transformation in my art. VAE had a call for art at the local Aloft Hotel and another venue. I visited with my mother and we both realized that I had to paint larger canvases to be accepted by these calls. I sold 2 paintings for $1,000 and realized then that painting could be more than just a hobby!

How did you come to abstract painting? 

I wasn’t very good at drawing, so I was naturally attracted to abstract painting.

How does inspiration in your profession come about and how do you manage to find it? 

I look at the paint colors that I have and the colors that I want to use. Inspiration just comes to me. I can’t explain the process. The painting isn’t finished until the colors “pop”!

Can you tell us about the techniques you use? 

I like to use fan brushes, sponges, and rubber band brushes for special effects. I frequently layer my paintings, sometimes when I’m not satisfied with what I first paint.

What are the fundamental human messages at the basis of your artistic production? 

The messages are in the eyes of the beholder. Painting is calming for me and makes me happy, sometimes jubilant. I hope that the beholder sees some of that in my paintings.

Let's talk about his favorite subjects. 

Time, space, travel, and food. No one would guess those subjects, but they give me inspiration.

Are there techniques or formats that you prefer? 

Acrylic on canvas, but sometimes I like to paint wooden crafts. I have painted on sheets of plywood and subflooring material. I don’t like the smell of oil paint. I think that the rubber band brush is great for special effects.

What excites you about a work of art? The composition or the color? 

Trying to make each painting my best. I love purple and want to use it more.

Is there a painter who inspires you in a particular way? 

Picasso, Van Gogh, and Andy Warhol

 Something I haven't asked you that you'd like to let know. 

My knack is color combinations.

Future projects?

 I look forward to creating paintings inspired by summer and travel. I currently have 3 solo exhibitions scheduled at the cultural arts centers of Fuquay Varina and Apex, and the Garner Performing Arts Center, all in NC.Are there techniques or formats that you prefer? Acrylic on canvas, but sometimes I like to paint wooden crafts. I have painted on sheets of plywood and subflooring material. I don’t like the smell of oil paint. I think that the rubber band brush is great for special effects.

What excites you about a work of art? The composition or the color? 

Trying to make each painting my best. I love purple and want to use it more.

Is there a painter who inspires you in a particular way?

 Picasso, Van Gogh, and Andy Warhol

Something I haven't asked you that you'd like to let know. 

My knack is color combinations.

What was the beginning of your artistic life?

The beginning of my artistic life began to manifest when I began to believe and feel that it was necessary to express emotions and feelings in a way other than the one that everyone adopts to make themselves understood.

That is to say, make an effort to perceive what we have in front of our eyes and we do not see;  that other way of knowing that there is something more extraordinary that we must discover beyond that "light" created and not by chance and satiate the desire to find some way to reveal itself. It is a path that I came to travel from that moment on when I was a child, when I longed to possess that box of watercolors placed in a showcase and to which I went every day to be ecstatic in his presence, when I managed to buy it after a yearning to collect all the money and have it in my possession, I felt very happy with That gift that I gave myself.
It was then, since I was a child, that I began to love the colors of that box of watercolors... and to create for myself a very personal world apart, without anguish and to free myself from ties.

How does inspiration arise in your profession and how do you manage to find it?

I get inspired by remembering many times what was described above and remembering the instructions of my former teachers who emphasized maintaining a continuous rhythm of work and observation of what is being done, to be able to meditate on it and maintain the corresponding sensitivity in what is being done. is doing to achieve satisfactory results in the face of the aesthetic approaches that are desired.

 

What are your favorite artistic currents?

Among the artistic currents that may interest me, there is abstract expressionism and artists such as: Jackson Pollock and his action painting, the floating forms in the surrealist work of Marg Chagall, Paul Klee, the Venezuelan Armando Reverón. I like the work of Antoni Tapies a lot and so on.

Can you tell us about the techniques you use?
Is there a technique or format that you prefer?  

And when do you understand that it is finished?

The techniques that I often use are the juxtaposition of visual textile patterns, often using airbrushing, the use of paint rollers to achieve transparency, all this on any type of support (fabric, cardboard, etc.). The use of the roller sends it to me. instantly to the engraving of which I was a regular executor (because it is constantly used to extend the ink to be used on the plate where the design to be stamped rests, it is also my habit to use collage because this technique allows me to capture a certain shape without much fuss in the desired design.

I resort to the use of color directly from the tube that allows the gestural in the desired transfer

 What are the fundamental human messages that underlie your artistic production?

Human messages: PEACE!  Favorite themes: those that refer me to ideas about religion or science, a work according to my experience is never finished due to the fact that when looking at it again for a future development in time I find faults, either in color, shapes etc...

Philosophy in life?

Philosophy of life: live and let live!!!! (Very important... I take care of looking for what is mine, what satisfies me and where I am at ease).

Future projects?

The future project will be defined by the course that the work takes and its demand.
In the message of peace I can add what:.
Love peace and eagerly seek peace;  If you find yourself involved in a conflict, take the initiative to make peace and even if you have tried several times and have not yet been crowned with success, keep trying, sincerely making the effort to achieve peace ennobles you.

Live in the present do not allow words spoken or actions carried out in the past prevent you from making peace at this precise moment...

Peace !!!!  Yes sir !!!!!