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1. Tell us how it all started and how you got into abstract painting.
 

Art has always been my greatest interest, although I took very different career paths. Studying literature and the humanities has given me further and different approaches that come together and need their space.

The form of abstraction enables unexplored spaces, interpretations, freedoms that cannot be represented or described. It is the same in the process of painting itself. The moment counts and nothing else, that is pure presence. 

In abstraction, interpretations and fantasies replace the mere admiration of a concrete image. But I still really enjoy immersing myself in the masterpieces from the centuries up until today. I like to get involved in art and spend a lot of time in exhibitions.
 

2. What are the predominant/dominant colors in your palette?
 

Colors and materials vary and result from my close connection to nature. Inner images from memories and current experiences then determine the choice of media and colors.

For several months now I have been enjoying working in layers with natural materials such as stone dust, chalk, ash, earth, sand, etc., but I do not exclude any material. Who knows where the journey will lead, because over the years I have learned about, applied and further developed various techniques. Themes have also developed in the same way.
 

3. What can you tell us about your painting technique and creative composition? Are there any techniques or formats you prefer?
 

I work with several techniques. Each picture tells its own story and is partly created by the choice of materials and formats.  Working with stone powder requires a special technique and composition, unlike working with oil, watercolor, or charcoal.  Changes in the material, apparent fixations dissolve again and form their own structures, which I then react to again, but also set them in motion. These are the energizing hours and days because time and space have no meaning.
 

4. Have you always wanted to pursue this career? 
 

Yes, and it's a passion.
 

5. What is your source of inspiration?/What motivates you to create?
 

It's been nature for as long as I can remember. I admire and have deep respect for nature’s powers and beauty, the process of constant change of growth and decay, construction and destruction, chaos and order.

The phenomena of simplicity and abundance, clear shapes and complex structures, deep calm and powerful energy, growth and decay and of course light and shadow are what shape. 

If we get involved in this balance, we know what to do. We are just a part of nature and presume to be more. That is my motive to give space to nature in art.
 

6. In general, what impression do you want to give to the viewer of your images?
 

I don't anticipate anything and try not to have any expectations. And yet I am happy when people enjoy themselves, let themselves be touched, and think about their relationship to nature, to the system of which they are a part. When they become interested in the materials, recall memories, express perceptions and interpretations, and perhaps even marvel. 
 

A quote from Picasso comes to mind: “Why do we love nature, the flowers, everything around us without really wanting to understand? But when it comes to an image, people think they have to understand it.”
 

7. How do you make your works? Are you creating a specific project or are you acting spontaneously and emotionally?
 

I let myself be guided by an idea, an impulse, a perspective or observation. When I want to make series, I usually have something like a plan beforehand, but I would rather call it a narrative that follows a structure. Sketches and notes capture moments, some of which materialize quickly, some later or never.
 

8. Does the place you live influence your art?
 

Yes, I can say that, although it is more like life in the countryside, for 35 years also in central Italy.  The specific light there, the often described gentleness of the hills, the vastness of nature is something special and subtly exerts a great influence. I also live in the countryside in Germany. In large and very large cities all over the world, I have become more of an observer of the goings-on, looking at other worlds, lifestyles, art, music and much more, but the desire for silence is greater.
 

9. What do you think about the digital age we live in as it relates to art?
 

Digitalization covers all areas of life, including art increasingly, but not the wonderful process of painting. I wouldn't trade the sensual pleasure and being touched for anything and the viewers will feel the same way. 
 

10. What are your plans for the future?
 

There are a few topics that I would like to explore artistically. Exhibitions are planned, as well as joint work with colleagues, which I really enjoy. There is a book project. But after many years of intensive planning at work, I am happy about phases of planning. And I would like to keep myself open to changes in topics, perspectives and materials. I have wishes and dreams rather than plans.
 

11. What other abstract artists inspire you?
 

I like to get involved in creations, but I quickly come into contact with art that gives me leeway, such as the expressionists. The work and development of G. Richter is still important, especially of many artists like Niki de Saint Phalle, whose imaginative park is near us and I often visit and always discover new things. 
 

12. Something I didn’t ask you that you would like to share with us?
 

Everything is there, connected and can be perceived. The latter is our decision.
 

1. How did your artistic journey begin?

I started to draw and create as a young child. After quite an unusual childhood start, I found great comfort, balance and joy in drawing and creating. I hung up my drawings in my room for decoration. I used "How to draw "books to get me started.

2. Where do you draw inspiration for your abstract works?

My inspiration is mostly from the nature and its forces. I love the sea, marine life, and the sky. I love to watch the clouds and birds with admiration. The colours and the light in the sky and the sea, can be breathtaking. I try to transfer some of it, with added imagination, and emotions, to the canvas.

3. How do you select the colours, shapes, and textures for your pieces?

I use colours, shapes and textures that I feel suit the subject and the emotions that I am working on. It may change while I'm working as I keep an open mind to possible changes. Colours come from my feelings regarding the subject. What I think suits it the best. Hoping that I am on the right track. I treat the process as almost a sacred ceremony that requires respect and complete attention and care.

4. What techniques do you use to create your works?

I prefer to use oil on canvas, painting several layers. They usually need to dry in between, so patience is often necessary.. Sometimes I can therefore work on another painting, while the other one dries. There can be a limit of ones patience so this works well for me. Many of my paintings take a rather long time in process, some seem to have "endless" brush strokes" or layers, so I need to make the best use of my time.

5. Do you identify with any particular artistic movement or style?

Not really. I may be connected to abstract expression. I will leave that decision to the experts though.

6. Do you follow a structured plan in your creative process, or are you guided by instinct?

Yes I do follow a plan in my creative process. I start with a certain subject that I have in my mind or have drawn on paper, and work from there. If I am not satisfied with the process after I have started painting, the next step is a change of thinking, and working on the painting.

7. What message do you aim to convey through your artworks?

I want to be able to bring some pleasant emotions, joy, comfort, harmony and curiosity to the viewers. I am interested in creating depth, sometimes a feeling that you are being absorbed into the picture. The viewers are of course free to interpret my works at their own choice. I may have something in mind that others see totally differently. That is fine and very interesting to me.

8. What are your aspirations as an abstract artist?

I create because "I have to". I paint to "live in harmony." My studio is a kind of haven from the outside world. I consider myself very lucky and priviledged to be able to work with my art.

I hope to bring some joy with my work to some, in a confused world. I hope to remind those who have forgotten, about our beautiful planet, and the fantastic nature and surroundings. It cannot really be painted, but we artists, can try our best to capture some of its emotions. Im happy if I manage to capture a piece of it, in my work.

9. Do you have any upcoming projects or dreams you'd like to share?

My dreams are simple. I wish for peace and harmony in my life and others.

To me, balance is important, focusing on things that matter the most in my life, being thankful, and then again, also be able to flow freely and unafraid into the uncertainty.

Trusting the process of life. Doing the best I can in every aspect. Being open to new experiences and creativity.

1. How did your artistic journey begin?

My artistic journey took me to very different places, some of them seemed really glorious, but at the end, they didn't really fit me. And then, when I thought I would just get on a small regional train to visit the countryside on a lazy sunny afternoon, my journey evolved totally unexpectedly to kind of an exited expedition into the unknown and it still is.

2. Where do you draw inspiration for your abstract works?

Inspiration for me can be through a lot of different things. Strolling through the streets of the city of Berlin, for example, is very inspirational to me. Everything is totally present and international. At the same time, there are so many layers of history, different movements of time still engraved in many places, visible and unvisible at the same time.

And I like to look at the sky different formations of clouds and watching as the light gets through.

3. How do you select the colors, shapes, and textures for your pieces?

Selecting colors, shapes, and textures for my pieces is a process, which takes its own turns and new directions during the work. Unexpected, sometimes even annoying ("Why has it to be this color, I don't even like it that much?" "Nooo, I wanted light, almost white, and now it evolves as kind of blackish almost?" These are examples of my inner voice during the process). And there is also a lot of dialogue within myself on a deeper level about feelings, memories, personal moments and so on. and it is very soothing to talk that way to myself through colors, shapes and forms, getting through the sadness for example. And sometimes I don't talk that much, I just want to have fun and splash some color on the canvas.

4. What techniques do you use to create your works?

Mostly, I use acrylic on canvas with elements of paper, working with colors, adding painted pieces of paper, which I tear up, put on the canvas, paint over and partially expose again. So there is kind of a third dimension in my pictures, which I like.

5. Do you identify with any particular artistic movement or style?

Of course there is an immeasurable amount of great art and of important artistic movements. Within all of this, I want to explore my own path.

6. Do you follow a structured plan in your creative process, or are you guided by instinct?

I like the journey into the unknown, guided by instinct. Even when I sometimes think about a kind of plan it evolves differently during the whole process.

7.What message do you aim to convey through your artworks?

I share a lot of my feelings through my artwork, consciously and unconsciosly. And I am surprised and honored when people can relate to that.

8. What are your aspirations as an abstract artist?

My aspiration as an abstract artist is to stay true to myself. I want always to expand my possibilities.

9. Do you have any upcoming projects or dreams you'd like to share?

The journey into the unknown is in full swing. What I would like to do is paint on an extremly gigantic canvas. And I would like to have a big wall in a studio located in the middle of Berlin;) sharing it with other artists.

How did your artistic journey begin?
For as long as I can remember, I have been fascinated by color and shapes


Where do you draw inspiration for your abstract works? Often figures or rooms are inspiration for my works


How do you select the colors, shapes, and textures for your pieces?
I choose the color first to give the picture a background, then the other colors result. in my studio I have many colors from acrylic to oil that I mix


What techniques do you use to create your works? Mostly I use a mixed technique


Do you identify with any particular artistic movement or style?
Oh I love expressionism


Do you follow a structured plan in your creative process, or are you guided by instinct?
 I let my instinct guide me


What message do you aim to convey through your artworks?
Strength and fragility


What are your aspirations as an abstract artist?
I want to unite the abstract and figurative sides of my work


Do you have any upcoming projects or dreams you’d like to share?
At the moment I am working on making my studio better known so that my work can be seen more

1.    How did your artistic journey begin?

I started very early as a writer and as a visual artist, I don't remember how or when. Writing and painting were always there. My narrative is as experimental as my visual work. I am passionate about textures, the use of sand, tree bark, branches, dry leaves, fabric, grids. I love manipulating paper and adding it to create a certain architecture on the canvas. Most of my canvases are recycled, reused. I like the idea that underneath there is something that holds energy from other places and people. One day it was on a wall, with another creation now hidden under mine.

 

2.    Where do you draw inspiration for your abstract works?

I tend to be very connected to what surrounds me, what I hear, see or feel. I am a highly sensitive person, I coexist between observation and reflection, and their consequences, I live surrounded by animals, I am vegan and I am very careful not to step on an ant, my eyes, the space in which I move, are so present in being and existing that I end up being innately connected like a tree. I do not care what is thought of me outside my most intimate environment, but I do care about not harming others as if it were an element of myself, more than a good person I am the one who runs away from the consequences of my possible bad acts, I do everything to prevent them from happening. That machine is the producer of the inspiration that can represent me, my basics, my emotional essence so exaggerated. First I write a text, of about two thousand words and then I take it to the painting, what the text evokes and provokes is the first step of my visual work.

3.  How do you select the colors, shapes, and textures for your pieces?

You see, I'm a very erratic guy, it's rare that I come to my workplace with a fixed idea; it's a feeling. Well, I don't want to fall into bragging, but it's hard not to be interpreted from that window when you love what you do, when you're an artist. My inner saboteur does his job very well and, almost always, reminds me not to get my hopes up, or remind me that I have talent because I'm not good at believing so blindly in myself, I tend more to pessimism and doubt, but I'm certainly happy, I live with a certain dignity with my demons and my muses, with this rant I wanted to say that I let myself go, depending on my emotions, and the moment, the repercussion of life. I'm horribly spontaneous.


4.    What techniques do you use to create your works?

Every time I decide to use a technique, a process, that I see on the Internet, that I enjoy in others and that its results call me, it doesn't usually work in my hands; I have to go back to my systems, back off, take a step to the side. Is it bad for an artist to exhibit that doesn't have one or several specific techniques that can define him in some way? I work essentially with my fingers, the brush appears only for definition, for micro details. Over time, I like brushes more, they call me, but they have their moment. My technique could be to experiment, a piece, from its birth until I consider it finished, can contain three or four different proposals until it wins me over. Like a writer throwing balls of paper into the wastepaper basket in the movies fighting with inspiration, that's me; I let myself go. It takes me a long time to reach conclusions.

 
5.    Do you identify with any particular artistic movement or style?

I am nobody in the art world, not enough to see myself in the mirrors of this gallery of being in plain sight, but I want to believe that I am lost between abstract expressionism, surrealism, unconsciousness or chance, because of the impulsive nature of my work. But I am not sure of anything and I am very bad with labels. I am a lover of symbolism, not at all rationalist and very much into the subconscious, perception, even the "beyond". I am continually called by mystery, the hidden, the incomprehensible. David Lynch, Breton, Yoko Ono.

 

6.    Do you follow a structured plan in your creative process, or are you guided by instinct?

No structures, no plans, I wish I could project myself. Thoughtful organization, structured processes, seek coherence and to trace a path; I would love my mental mechanics to be more effective. I would travel better. Instinct? Instinct is nothing more than a set of reaction patterns and also a hidden and intimate reasoning that underlies our actions; even something divine. I think I am more of a trial and error, trial and success; impulsiveness and experimentation, it is possible that instinct has something to do with it.


7.    What message do you aim to convey through your artworks?

I don't have a message for the world, I have nothing to say. If you ask me, I'll answer. But I don't understand this world, what can I add? We are destroying the planet, wars never stop, money is more desired than beauty, animals are enslaved as if we were a dominant predatory species without feelings. My message is to enjoy, do good and let art expand by spreading beauty.

8.    What are your aspirations as an abstract artist?

I aspire to live off my work and enjoy every day. Doing what you like is already a gift, and if people like what I do, then that is the zenith. I aspire to grow old and continue smiling and enjoying the little things, to not be ambitious more than is fair and necessary, to not be afraid, to sleep well every night, to mingle with people and share joy and passion.

 

9.    Do you have any upcoming projects or dreams you’d like to share?

I have just finished my fourth book, a long novel that I have dedicated two years to. In the coming months I will record soundscapes that will accompany my future exhibitions. I will not stop painting for a moment and as for dreams, I will receive interesting proposals, show what I do to the world and enjoy my life to the fullest as I do today; and make people happy and awaken curiosity with my art. Open to work!

1. How did your artistic journey begin?

It all started when I was a kid. I was lucky to grow up in a creative environment where I could try all sorts of techniques—pyrography, silk painting, even enamel work which were fired in an old tile factory. However, my first serious steps into art came at around ten when a neighbor introduced me to painting. Those sessions shaped my love for creating and set me on this path.  Despite the discovery of this passion I stopped for years, then I started to paint again during my fourth pregnancy in 2018 and since then I have not stopped.
2. Where do you draw inspiration for your abstract works?
I find inspiration everywhere—Architecture, nature, people, or just the energy of a moment. I don’t overthink it; I let what I see and feel guide me.

3. How do you select the colors and shapes for your pieces?
Most of the time, it’s all instinct. I like to start with natural tones and then add bold colors to bring the piece to life. Shapes come as I go—I don’t plan them; they just show up and feel right.


4. What techniques do you use to create your works?
I use a mix of acrylics, charcoal, spray paint, and oil pastels. Sometimes, I finish a piece with oil paint to give it more depth. I like layering and letting the painting come together naturally.

5. Do you identify with any particular artistic movement or style?
Not really. I’d say my work leans toward contemporary abstract art, but I don’t stick to any one style. I just create what feels authentic to me.

6. Do you follow a structured plan in your creative process, or are you guided by instinct?
I don’t plan at all. I work purely on instinct and let the piece evolve on its own. That’s when the most exciting things happen.lm where?  

7. What message do you aim to convey through your artworks?
I don’t try to send a specific message. Art is personal, and I think everyone should interpret it in their own way. It’s more about the connection people feel with it.

8. What are your aspirations as an abstract artist?
I want to keep growing and sharing my work with more people. I’ve had opportunities to collaborate with galleries in Paris, Monaco, and New York, and I’m looking forward to making those happen in the future.

9. Do you have any upcoming projects or dreams you’d like to share?
My next collection will launch in 2025, which I’m really excited about. Also, I'd like to be able to offer prints, because a lot of people contact me and tell me they'd like to buy a painting, but their budget doesn't allow it. I think art in any form should be in every home, so offering prints seems like a solution to make my art more accessible.
And finally, I'd like to be represented by a gallery, so I'm working on my collections to find a gallery to collaborate with.
Oh, I'm hoping to find the time to explore pottery someday—it’s an art I’ve always been drawn to but haven’t explored yet

• How did your artistic journey begin?

My artistic journey began in my childhood. I realized early on that drawing and painting were the best ways for me to express my emotions and thoughts. Over time, this passion evolved into a conscious decision to make art my life path. I drew inspiration from my surroundings and my experiences to find my own style. A particularly defining moment was about a year ago when I was looking for a painting for my bedroom. However, I couldn’t find anything until I saw it in a dream. A few days later, I bought a board and paints, and within three days, the painting was finished.


• Where do you draw inspiration for your abstract works?

When selecting colors, shapes, and textures, I rely on intuition. I rarely plan in advance and instead let my mood and the moments during the creative process guide me. Often, an idea emerges spontaneously, and I simply follow my instincts. This allows the elements of my work to develop organically and authentically.


How do you select the colors, shapes, and textures for your pieces?

• When selecting colors, shapes, and textures, I rely on intuition. I rarely plan in advance and instead let my mood and the moments during the creative process guide me. Often, an idea emerges spontaneously, and I simply follow my instincts. This allows the elements of my work to develop organically and authentically.


What techniques do you use to create your works?

• I worked on wood for a long time, but now I mainly use canvases. I create my own plaster mixture, which I use to develop interesting textures.


Do you identify with any particular artistic movement or style?

• I don’t directly identify with any particular artistic movement or established style. My approach is more intuitive and free. However, there are influences of abstraction and expressionism in my work. I’m interested in the expressive power of shapes and colors, and I try to develop my own personal language that exists beyond classical movements.


Do you follow a structured plan in your creative process, or are you guided by instinct?

• I don’t follow a fixed, structured plan in my creative process. Instead, I am guided by my instincts. Often, I don’t know exactly how the piece will turn out at the beginning; it develops step by step. I let my feelings and the energy of the moment guide me, which leads to a very spontaneous and free way of working.


What message do you aim to convey through your artworks?

• Through my art, I aim to express emotions and inner states that are often difficult to put into words. I seek to transport the viewer into another world where they can engage with their own feelings and thoughts. It’s not about conveying a concrete message, but rather about the freedom to open up new perspectives and create space for personal interpretations.


What are your aspirations as an abstract artist?

• As an abstract artist, I aim to further develop my own visual language and make my works an intense emotional experience for the viewer. I want my art to inspire people to reflect on their own perceptions and emotions. My goal is to create a new dialogue with each piece and constantly push the boundaries of abstract art.


Do you have any upcoming projects or dreams you’d like to share?

• My next big project is my first solo exhibition, which I’m really excited about. It’s an important step for me to showcase my work on a larger scale. Another dream of mine would be to have my own studio, a space where I can fully dedicate myself to my art and where I have the freedom to bring new ideas and projects to life. And, of course, another big dream of mine is to share my works with the whole world. I want my art to touch and inspire people everywhere, regardless of their background or origin. It would be an incredible feeling to make my works globally visible and create a broad dialogue.

1. How did you begin your journey in the art world?

A challenging phase in my life led me to art.

2. Where do you draw inspiration for your abstract works?

I find inspiration in many things. Through my art, I express my innermost feelings and emotions.

3. How do you select colors, shapes, and textures for your pieces?

My choices are intentional.

4. What techniques do you use to bring your creations to life?

Through extensive research and self-education, I’ve taught myself a variety of techniques. I’m always eager to explore further and don’t want to limit myself at this stage. I feel comfortable working with different techniques and use them instinctively.

5. Do you identify with a particular movement or artistic style?

I would say that I’m so versatile that I prefer not to commit to a single movement or style.

6. What is your creative process like? Do you follow a precise plan, or do you let instinct and emotions guide you?

I trust the process. However, when I take on commissioned work, I completely focus on the space and the life of the person who wants a piece from me. This allows me to fulfill the client’s vision.

7. What message do you wish to convey through your works?

There are no mistakes in art. Art is something wonderful—it simply brings joy. Seeing a piece every day can make you happy, and that’s the kind of joy I want to share.

8. What are your goals or aspirations as an abstract artist?

I simply want to continue painting and enjoy the process itself. If new opportunities arise from it, that will make me happy. I don’t set boundaries for myself.

9. Do you have any future projects or dreams you’d like to share with us?

I have several exciting collaborations coming up—stay tuned!

 Tell us how it started, the how did you come to abstract painting? What is your source of inspiration?/What motivates you to create?

 
I first fell in love with Odilon Redon’s flowers (which were not abstract) but quickly wanted to develop something more personal that conveyed the same dreamlike dimension. I turned into semiabstraction because I thought it was the best way to do so. My objective is to let the viewer decide where they are, decide of the interpretation of my painting so that they can also question their relation to the world, reality and nature. I don’t see the point of providing any immediate solution or any easy explanation to what I’m creating. I want the viewers to feel kind of uprooted. Sometimes I don’t understand my paintings myself and I actually think that a painting can teach me more about myself than anything else. I really think paintings can be the mirrors of the soul. Like easy, quick and fun therapy. Like “oh this is what I am now”.

 What are the prevailing/dominant colours in your palette?


 I like soft colors although I’m working on developing something more dynamic that can create a very powerful impact. But I’m not there yet! Using acrylic as opposed to oil has made my palette more flashy for some reason, probably because it dries so fast I spend less time mixing the colours, which changes my gestures too.
Colours and gestures are one thing in my practice. One can go without the other.

 What can you tell us about your painting technique and creative composition? Are there any techniques or formats you prefer?

How do you make your works? Do you create a precise project or do you act spontaneously and emotionally?

My favorite format is an F50 (116x89cm). It goes well with the movement of my hand from left to right and the space in between my arms.
I never have a specific idea of what I want to do, I let the painting be the guide as patches of colours appear on the canvas, until it gives me a sense of direction. I do act very spontaneously and emotionally. Listening to music helps.
  
 
 Does the place you live in influence your art?

 Not at all. I live and create in a dreamy dimension (lol) so I’m not connected to the outside world in these moments, that would be a mistake!


 What do you think of the digital age we are living in in relation to art?

I’m not using any technology for my work but I do take pictures of my work at different stages and like to use filters so that I can get the colours right. It’s more of a help than anything else.
Social media has been a fabulous window on the world. It fascinates me. I actually discover more fascinating artists online that in the real world today, which I’m not sure is a good thing. 
 
 What are your plans for the future?

 My plans is to keep on working on colour and developing my own style, I mean pushing it further keeping both the floral theme and the abstract dimension I like to add to it.
I’m also trying to participate in as many exhibitions as possible if I like the organizers’ projects, which surprisingly enough is far from always being the case…

 Which other abstract artists inspire you?

Not that many actually. Gerhart Richter had an impact for sure. Turner also (if he’s to be considered abstract). I actually can’t think of that many abstract painters ; what I’m mostly interested in in a painting is what I call the non-figurative parts of a figurative painting, if it makes any sense. Take Monet for example…