Welcome! Scroll down to see the interviews
DANIELA GLOOR
Interview
1) How did you embark on your artistic journey?
I have always been creative and have used various media to express myself. Abstract art captivated me and I realized that it was good for me, so I just kept on painting.
2) Which words best describe your artistic style?
I would describe my style as chaotic, versatile and personal. To me my art is reflection of emotion and experiences.
3) What techniques and materials do you employ in creating your works?
I love to work with raw canvas material and usually through out the process I use acrylic paint and oil pastels. Other than that I try to be open minded about experimenting with new materials and routines.
4) How do you select the colors, shapes, and textures for your paintings?
When I start a new painting I try to match colour pallet to the emotion. Later in the process I just mix and match. Again its about experimenting, if I dont like the feel of a colour or shape I usually paint over it till the painting makes sence to me and reflect what I want to convey.
5) What message or emotion do you aim to convey through your art?
Its not a specific message I want to express with my art in general. Each piece is created with a different emotion or story. For me the painting might mean something completly different than it does for a viewer and this is what I really love about my work.
6) What themes or messages do you explore or address in your works?
My creativity often comes from darker moods like misunderstanding, critical thinking, sadness or worry. Each picture is like a journey that I go on and process these feelings. Sad feelings can also rise into beautiful ones, which is then reflected in my work.
7) Who are your artistic references or influences? Are there informal artists you particularly admire or who have inspired you?
I love the work of Celia Less, Daniela Schweinberger, Peter Maximilian Ronsdorf and Dennis Schikora. All of these artists have their own expression and a strong sence of communication though art. When I look at their works, I feel an emotional connection that I can't explain but find very fascinating and inspiring.
8) Can you describe your creative process?
Usually I get into a certain mood, which I reinforce with music. That's an important part of my process. The actual routine of how I work can be very different but tends to be rather chaotic. One thing that Im consistent about, is that I prefer to work on the floor.
9) How do you tackle challenges or difficulties encountered during your creative process?
I try to take on challenges throughout the process and overcome them. Wonderful things can come out of frustration. But sometimes it just doesn't seem right, and it can happens that a painting ends up in the trash.
10) What was your artistic training, and what notable experiences have you had in the art field?
I am a self-taught artist. I have acquired my knowledge through online courses and trial and error. In the future, I would like to attend more courses to expand my art knowledge. My biggest success so far will be my first solo exhibition this year, which I am really looking forward to.
11) What are your future plans or goals as a painter?
I hope to continue my artistic journey and eventually work full-time as an artist. My current goal is to continue developing my own style.
12) Is there anything you would like to add that I haven't covered?
I would like to take this opportunity to thank everyone who has accompanied and supported me on my journey to this point. I look forward to sharing more art with you in the future.
ANTONELLA IEMMA
INTERVIEW
The beginnings, the inspiration and the technique.
I started painting at the age of 5 until I was 20, then I took a break for many years. Four years ago, after deep reflection and personal suffering, I decided to return to painting for the rest of my life.
I don't have a specific timeframe for creating a piece; I am reflective and instinctive. Sometimes it takes two days, sometimes eight.
I prefer warm and vibrant colors, almost exaggerated in contrast. My acrylic painting technique is based on communication, where each color conveys a mood chosen based on emotions or human conditions I aim to express. That's where the magic of color happens.
Art is the unconditional expression of our hearts. Being an artist means challenging oneself, having courage, being internally motivated, and a strong need to communicate freely.
I don't have a specific favorite painter; I love all artists who surprise me. All the works I create are my dreams and visions.
Reflection, astonishment, pleasure, and beauty drive my inclination for painting, born since childhood. It's a way for me to communicate what I couldn't express with words.
My passion for painting originated in childhood, serving as a distraction during a severe eye illness that was leading to blindness. Today, eyes are present in all my works, reflecting the need to depict a less happy part of my life. Eyes are said to be the mirror of the soul, and I want to narrate the soul.
After many years of painting privately, I decided to share my art with the world. Despite painting with only one eye, it brings me so much joy that if my eye allowed, I would paint day and night.
Future projects: I am preparing for my first solo exhibition in person.
CAMILLAARTESSENTIAL
Interview
Some questions to Camillaartessential: the beginnings, inspiration, technique and plans for the future.
1. I started painting at the invitation of my daughter who wanted a painting for her bedroom, and i haven't stopped since then. When i paint i find peace over the chaos in my mind.
2. Essentiality and simplicity, strength and incision, purity and delicacy, these are the words that distinguish me.
3. To create my works i usually use canvas or various types of cardboard combinated with acrylic or metallic colors. I love red and black, strong and elegant.
5. Emotional impact is my source of inspiration, when I paint i start with an idea that ends with a feeling. My style is minimal and reppresented by experimentation and the search for something out of the ordinary.
7. I admire many artists, especially Picasso, Klimt, Cy Twombly, but I'm not inspired by anyone.
8. Not having much space at home i paint on the floor of my bedroom.
9. If i find myself in difficulty creating a work i stop and think about the way to continue the process in the best way, then i let myself be carried away by feelings and my heart. So i complete it.
10. I have exhibited my works in some art exhibitions like Genova, Milano and other Italian cities as physical or virtual exhibition, especially with the great support of Galleryone962.
11. At the moment i have no plans for the future, I usually live in the moment, I hope to have health for my family and me, with God's help.
GRETA ELISABETTA PRIMO
INTERVIEW
1) How did you embark on your artistic journey?
It all starts at the beginning of Covid-19 in the 2020. I was very fragile at that time, of course for the pandemic situation but also because everything started to feel the same. Everything in those days was awful and all starts to look quite depressing and all I could see was darkness. At a certain point I decided that I had enough of that situation, and I had to do something to take my light back, so I started painting. At the beginning I used to use small canvas, like 12x13 inches, but then as I was feeling better my works got bigger so I had to use bigger canvas to express all I had inside of me.
2) Which words best describe your artistic style?
Explosion – Passion – Fear – Belief
3) What techniques and materials do you employ in creating your works?
As an abstract painter I love to use acrylics colors, but I don’t usually buy al the palette that I need to complete my works because I love to mix the colors that I have at the moment to try some new colors, something you can’t buy but can create, the perfect hue. My art signature is the golden leaf as a main subject in my works as you can see in quite all of them, but I also use salt to create a tridimensional texture that feels like the color is coming out the canvas. Last but not least I use a bottle spray full of water and colors to create an explosion – as you can see in Omega – that feels like expanding over the wall.
4) How do you select the colors, shapes, and textures for your paintings?
I love mixing my colors… when I start working on something I don’t have a specific idea… it comes while painting and when I have the main texture and color base, I choose what to do next. I like to experiment, to change my subject, my technique, while working on something. This is the best part of being an artist… you don’t have to compromise with anyone, you can choose to be you and to express your feelings by using your hands to make shapes, your eyes to look at it and change it if you don’t like what you see, your nose to smell the colors, and your heart to make it real.
5) What message or emotion do you aim to convey through your art?
I want people to think, to reflect on what they are looking at… I don’t want my art to be static or a simple canvas on a wall… I would like that people feels what I felt when I did my works and feels connected with me. At my art exhibitions I always encourage the audience to actively participate to be part of it and to listen to their emotions. This is art, felling themselves.
6) What themes or messages do you explore or address in your works?
Emotions is my main theme. Everything revolves around the feelings that I’m felling at that precise moment when I look at my canvas and start to paint it. When I feel angry, I usually use black, blue and red colors, otherwise when I feel happy I usually use like light pink, lilac and gold.
7) Who are your artistic references or influences? Are there informal artists you particularly admire or who have inspired you?
I love Marina Abramovic’s works, I love the meanings of her extravagant exhibition which are wonderful and terrifying at the same time. I fell in love with her love story even though it ended tragically, but all the works she had done in all those years with her partner will always remain in the history of art and love. I also admire a French artist, Yves Klein, the founder of the “ultramarine blue”, the father of “Anthropometry”, the one who, for the first time in the modern world, exalted the female form by making it art. Those artists inspired me long before I started painting on my own.
8) Can you describe your creative process?
I look at my empty space canvas, I choose a color that might be the base of the work and I finally put my hands on it, and I start to paint. I love messing around while painting, because it makes me feel creator of something that might be great or a disaster, but certainly something made out of my art. I use my hands as a tool to expand the color over the edges and sometimes a sponge to create a tridimensional texture. Once the painting is finished, I let it dry before making the final touches.
9) How do you tackle challenges or difficulties encountered during your creative process?
when I look at what I’ve done, and I don’t like it, I usually get angry with my self and feel like a complete failure… I think that I wasted my time, colors and patience… but then, I do a deep breath and I try to change something that I don’t like, I change technique, or position, or angle… I try something new and then as a result of all my labors I finally love what I made.
10) What was your artistic training, and what notable experiences have you had in the art field?
I have never attended a painting course or even an art school. This is because I truly believe that nobody can teach me my art, the feeling that I feel when I paint something from the bottom of my heart or maybe a memory of a lifetime. I truly believe that art is the only thing in the world, except for love, that doesn’t need explanation, it is what it is, it is a feeling, an expression of passion or anger or sadness, something that don’t need a book to be explained when all we need is our heart and soul.
11) What are your future plans or goals as a painter?
My dream is to open a studio so that everyone can come in and admire my works or just chitchat about it and to create events like “art and wines” so people can share their experience with strangers and make new friends while sipping wine.
12) Is there anything you would like to add that I haven't covered?
I would like to thank Galleryone962 for giving me this amazing opportunity to be part of an event like this and to let me talk about me and my art. Those guys are fire!!! and they deserve all the love in this world. Thank you guys!
LISETTE MITSOPOULOU WINTHER
Interview
The beginnings, the inspiration, and the technique
I have always been creative in some ways. I started with poems a lot of lyrics I wrote. The essientiel is that Im a soul with a lot of expression. Not always extroverte. I was in a lonely state feeling, and some personal experience, that I knew I had to Express myself. And through the creative i found my inner self. And doing the close Down i EU/ world I found myself starting to paint faces.
I find inspiration in mine and others cricle of life, in all my travels around the world, the people I meet. For me ekspressing is very much, that a lot have to be felt, feelings by the emotions, that awake me through eyes to my Heart.
I prefere many tools, but a spartle, silikone, hands. Tools I find around and in nature.
I try to use the color tones that are comlentary to each others, but I also love to step out and try to find new combinations . I keep trying to experience and step out of comfort zone. The texture is acrylic, charcoal, oil pastel, liqids, ink.
I hope i can make my audience see a story behind and find them self connect to what they explore through my paintings. Even if it is offul, joyful, happines, sadness, if they feel something in their emotions, in their mind and see., that appeal to their life. It is so subjektive.
When I see no Justice in the World, the humans, or happy storie`s around I either have to paint or write,. Or if im exploring a wall with art, or walking through the street. I Watch people and arkitecture alot.
Can be landschapes, faces, other artist I also inspires off, but i find my inner voice through it all. II think its important to be autentic too, WHO i am.
A mind full from my life- transforms to the canvas, sometimes it`s raw, and there have to go a while, im observing my layers. And others time it just flow from out of nowhere, but it is in the unconscious and conscious. i can`t even think of anything else, then art- to paint.
I think criticiqes is important, because then I have awake others subjektive opinion. But offcourse, I have to distance from some of it, and others I sometimes relate too. Because I can see that maybe this draw is out of line or the color. But I refuse to let me Down of that. Im on a expressful journey of learning.
I have done Cobra style course with another fantastic artist and he also sometimes mentor me. Then I have done online course, and in another galleri i exhange also experience with another fantastic artist.
My only adwise, if you dream about it, if your thoughts are always in a art thinking, then listen to your Heart, It knows. Dedication, disipline, define yourself, but dont let anyone put your in a box thinking.
It is the best exploring communicative therapeutic mindfull journey. It heals.
MARCEL ROXIN
INTERVIEW
Some questions to get to know the artist: the beginning, inspiration, technique, challenges, message, education, and future projects.
My initial inspiration to embark on an artistic journey was actually the love for painting and drawing that emerged in me at the age of three. It was my first passion and preoccupation during my time, so I can say that the inspiration for painting and drawing arose from a pure love for them.
My artistic style is very diverse, ranging from pencil sketches and hatching to abstract or more realistic oil paintings. If I were to refer to the current collection present in the exhibition, I could say it is a presentation of the simplicity of forms, engaged in a delicate balance, supporting each other through a very fragile weight equilibrium. Any deviation, growth, or reduction of forms gives the impression that everything will collapse like stones stacked on top of each other. The simplicity and fragility of the forms are closely linked to the simplicity of colors and their language, conveying a specific message.
The painting technique involves layering multiple colors with a keen focus on tracing the curves and contours of the forms.
The selection of colors is a process of searching for the representation through color, engaging in a dialogue with the viewer about the conveyed message. The simplicity of forms suggests a straightforward attempt to explain the story behind the artwork.
The message is one of humanity's awareness about the fragility of the ecosystem we live in, a revival of the sense of love for nature induced by the hypnotic colors that bring us back to memories filled with love from our earliest encounters with nature.
I would like my collections to include themes related to both abstract works, full of the beauty of colors, and messages emphasizing the importance of love and communication among people, without which the very essence of humanity is jeopardized.
The difficulty in creating my pieces, I could say, is incredibly low. I pose questions, and I receive answers at a fantastic speed. It feels like the responses flow, and I just have to let them come to me.
10. My education in art has been continuous, both in specialized schools where I studied drawing, painting, and sculpture alongside art history, as well as through ongoing individual study.
I wish for my projects to be ones that sensitize humanity to feelings of unity and love. Through my contribution to art, I hope to elevate the vibration of goodness and love on the planet.
SABINE PERONI
Interview
1) What was the catalyst that led you to devote yourself to art?
Since childhood, I have always been between two worlds, the one of reality and the one of dreams. My artistic language along with my life were shaped on this line.
The first drawings appeared at the same time as the writing, I was 23 years old.
I then began to develop my poetic universe in a self-taught way. I learned my techniques by attending exhibitions and experimenting afterwards. It is the same for poetry: reading, reading, reading!
2) From where do you draw inspiration for your works?
My main source of inspiration is nature. Emotions arise during her observation.
5) What emotions or sensations do you aim to evoke in your audience through your art?
I seek to put into images a double reality that crosses the human being, a contrast made of wonderment and questions. It is by contemplating nature that these images come to me. So I hope people can feel wonderment and read questions that surrounding.
7) Who are the models or sources of inspiration influencing your artistic style?
Among the legends, I can mention Monet, Gauguin and Toulouse Lautrec. For contemporaries, I have a deep admiration for A. Kiefer, Nora Mona Bach, Katja Pudor, P. Haager.
I recently discovered Anke Roder. And definitively, I have boundless love for all the work of Matteo Montani.
CINDY BERNIER
INTERVIEW
How did you start and why abstract art?
I was a dancer my entire life and began painting as a response to aging. I needed to continue to explore, play and create new works. Painting was a perfect medium – less physical but equally absorbing.
What sources of inspiration guide your abstract art? My work is inspired by movement, nature, energy and consciousness. I love the exploration a painting demands and I am always enthralled by the awareness that builds when painting.
How do you choose the colors, shapes and techniques that characterize your paintings?
My choice of colors, shapes and strokes are at first emotionally driven but soon become more analytical, probing and experimental.
What do you try to express or communicate through your works?
I am drawn to abstract painting because of my desire to communicate about consciousness in a non-verbal way. I enjoy exploring the body memory of dancing and all the physical and energetic focus involved in living. I love the intense challenge of creating form from something so amorphous, yet powerful.
How would you define your artistic style and how has it developed over time?
I think as I grow as a painter, I am leaning more towards creating physical works that speak of the sparks of life, of breath, of movement, of phenomenon and of spirit.
Which abstract artists do you admire or have influenced you the most?
Martha Jungwirth, Petra Schott, Claudia Mengle
Joan Mitichell
What opportunities and difficulties do you encounter as an abstract painter?
Painting requires the discipline of a dancer. I have learned to show up for the daily ritual of connecting, exercising and building my craft while in communication with my consciousness.
What are your future plans or goals as an abstract painter?
I am so fortunate to be able to continue exploring life through my art.
LENI NUSKO
Interview
Interview
Interview
What is your source of inspiration for your abstract works?
I want to mention two important sources for my creative work.
Intensive emotions evoke creating, acting out the strong tensions of my body, and I follow this and it gets a flow.
I also find my environment inspiring for my works. I live in a small community with other artists (KuraNuba Zaubergarten) close to nature, and I absorb this surrounding when I take long walks in the fields, watch the river flowing, this is inspiring for my artworks and also my fascination for living organisms, whether humankind, animals or plants, that come out from a calm and concentrated state of mind, and grow more or uncounsciously into the emotional motived works.
How do you choose the colors, shapes and techniques you use in your paintings?
It depends from which point I start.
For the paintings, that I start from feeling very strong, intensive emotions, I prepare my colors quickly and more intuitively and then I let myself flow into the open process between me and my canvas. I started to use broader brushes and larger sizes, but it also happens to me that I grab the next piece of paper and just start to act.
The artworks, that start from a calm source, which means that I feel more balanced and concentrated, I usually take more time to chose the colors and brushes, or crayons when I just want to draw. But I also don’t think about it for a long time, it’s just that I am happy to get started and see what happens :-)
What do you want to express or communicate with your abstract art?
I think what I wish most for my audience is to be touched emotionally, and feel understood and encouraged in going through emotions, also the ones, that are often hidden, because they are not supposed to be shown. And of course to feel joy in staying curious.
How would you describe your artistic style and how has it evolved over time?
I would describe my art as emotionally motivated, expressive paintings.
Twenty years ago, after my first year at the university, I had a huge emotional crisis, and then I bought paper and pastels and started to draw spheric creatures, that I called “Kugelwesen”. Before that I havent been painting for many years. From that time on I went through a lot of styles and tried out many techniques. As I didn’t have a lot of space, I used to do smaller sizes, mostly on paper. Three years ago I took the chance to move to this place where I have a small studio and then slowly dared to go into larger sizes on canvas.
Who are your favourite artists or those who have influenced you the most?
To name a few: Joan Mitchell, Max Weiler, Egon Schiele, Paul Klee, Basquiat, Cy Twombly and Arnulf Rainer
I also feel inspired by cave paintings and dot paintings. And I discovered a lot of inspiring artists on Instagram, not only fine artists, but also musicians and writers.
How do you deal with challenges or difficulties you encounter in the creative process?
Trying to accept when I cannot do anything. Talking to other artists helps with this topic especially. When I am blocked, I talk about it. Being kind to myself and don’t force myself, which I have to practice on and on and on :-)
How do you react to criticism or comments on your artworks?
A “naive” viewer’s different sight can be very refreshing, I experienced this many times, because they sometimes see things I would never have thought of or even noticed. People who want to follow my process, are very welcomed to criticise my work. If not and there is no interest in abstract art I cannot do anything with the comments. Other artists often point out a different perspective, which I appreciate a lot.
What are your future plans or goals as an abstract painter?
To stay open and curious, be courageous to follow the flow.
NADIA ALDEA
Interview with Nadia Aldea
Tell us how it started, the how did you come to abstract painting?
Because I am a self taught artist I think I naturally gravitated to abstract as it felt less scary. I came into abstract painting by just trying to create and release something within me. I gravitated naturally to the ability to just swish and swoop and loop and swirl. Dump of colours, and just doing what feels right. The freedom abstract gave me was most rewarding. I am a very open person, I love new ideas and perspectives and thinking outside the box. I think this is why abstract works for me really well. There’s no rules and regulations. I just create, have fun, and let the subconscious take over.
What are the prevailing/dominant colours in your palette?
My most dominating vibrant colours within my works are super bright yellows, deep rich reds, all shades of pink, and bright neon greens. A lot of my works have a tad of black somewhere within it. I feel like it grounds the painting. I’ve recently started added gold, silver, and bronze into my mixed media work and I really love it.
What can you tell us about your painting technique and creative composition?
My technique is always evolving. I originally started with acrylics onto canvas. Then I dove into digital art creations. I used several different paint brushes, pens, and pencils within the digital art program. I then would embellish my printed canvases with oil pastels and oils to create one of - original pieces. Nowadays, I am completely and fully into mixed media. I am obsessed about mixing a variety of mediums. Messy, organized chaos, just as life itself. Acrylic paints, acrylic oils, charcoal, chalk, pens, pencils - I could keep going. Additionally, playing with the mediums but also with the application. I’ve stamped on with leafs, scraped, rolled, smacked with paper towels, sprayed, painted, thrown, gashed, glued - it doesn’t end. Most recently, I began creating a collage with my mixed media art paper cut out into unique characters onto an abstract painted canvas.
Have you always wanted to pursue this profession? When did you become aware of your inclination for painting?
I have always been interested in art. Since I was 11 years old, writing poems in my broken English. It wasn’t until my adult life, did I realize the importance of creation for me and my wellbeing. When I was young - the pursue of dreams and the possibilities wasn’t something anyone close to me ever encouraged. A young persons dreams, talents, and strength need to be nourished.
What is your source of inspiration?
My inspiration is from deeply within. It is something that crawls out the second I start creating. No matter if it is painting, digital art, drawing, poems, or a story. It is a release and a healing practice for me. That is my motivation to process, digest, release everything within me and hopefully someday someone will also connect with that feeling or something special of their own.
Are there any techniques or formats you prefer?
I really love oil pastels. How they glide and scrape, it is somehow really satisfying. I also love acrylic paint the thickness of it and the way it dries. I love the technique of mixing all the different mediums to achieve a uniform flow of curiosity.
In general, what impression do you try to arouse in the viewers of your paintings?
Emotion and thought. My work usually forces people to stop and take moment to absorb all that is visible. The diverse scene within my work creates curiosity and the more you stare at it the more you will see within it.
How do you make your works? Do you create a precise project or do you act spontaneously and emotionally?
I am very spontaneous with my art and I am all emotion. I create abstract expressionism which means without a detailed plan and from the subconscious. Few weeks ago, I thought I should create a self-portrait as it is very common for artist to do this. I tried to draw a “traditional style” but scrapped it and ended up somewhere complete different. My own version of a self-portrait. But, it is beautiful. It’s me. I’ve now began a series of self portraits, all speaking their own individual story.
What do you think of the digital age we are living in in relation to art?
I think like everything around us. Art is evolving and changing, as it always has. Change for me, is always exciting. I’m excited to see where digital art takes us, I think there is a beautiful opportunity within it, if used appropriately.
What are your plans for the future?
Currently, I create out of my own home, in a cozy corner. I am thankful for the space, however, my dogs and my kids like to rummage in my work. Which can be a bit of a challenge. My plans are to have my own studio space, where I can create and make a massive mess. Where I can get lost in my creative process without interruptions. In the future, I will also host exhibitions of large scale art works, along side poetry performances. I want to create an experience, a deep connection, not just to my artwork, but a sensation of depth within a person. Also, I am very excited to release something very new, I have not seen anyone doing this. I have been working on something really deeply raw, honest, and personal with AI. I cannot wait to share it.
Which other abstract artists inspire you?
Not all the artists I follow that inspire me are abstract. Sometimes it is their art alone that draws me in and other times it is them as a person. Here are some of my top favourites, in no particular order: Heather Chontos, Caroline Denervaud, Pon Arsher, Emma Larsson.
Something I haven’t asked you, that you would like us to know?
Along side art, I have also self-published books. In 2016 I self published an adults picture book. The book has 45 women’s raw pregnancy stories from each trimester, along side their photographs. This year, 2023, I self-published my first children’s book, Authentic Me. A book about accepting on self as is, and loving our own differences.
MARIE CLAIRE BARSOTTI
Interview
Interview
Interview
Tell us about the beginning.
As far as I can recall, I've always been drawing. I aspired to pursue fine arts, but I was told it wasn't a viable job, so I became a kindergarten teacher and aligned my teaching with the arts. While teaching in London, I underwent training in jewelry design, balancing it for 10 years as a second job with my teaching practice. Upon moving to India, its beautiful and rich workmanship inspired me to create interior design artifacts and decorations for luxury villas. The need for sculptures and paintings for these luxurious houses led me to create what was necessary.
- How do you define your artistic style, and what are your sources of inspiration?
My inspiration stems from my inner spiritual experience that I try to translate into material. I can reach a state of peace beyond all surface emotions, with the color gold representing this high vibration of stillness. I identify with lyrical abstractionism or intuitive instinctive painting.
- What techniques and materials do you use to create your works?
I use acrylic, pigments, mud, textured homemade papers, wall filler, gold leaf... anything!
- How do you choose the colors, shapes, and textures that characterize your paintings?
They impose themselves from the inside, setting the mood.
- What do you try to communicate or convey with your art?
A spiritual inner experience.
- What themes or messages do you want to explore or highlight through your works?
Light, oneness, divine Love are behind all that is. It is the energy of Life.
- Who are your references or your artistic influences? Which informal artists do you admire or have inspired you the most?
Rothko, De Stael, Soulages, Hartung, Anna Eva Bergman, Fabienne Verdier, ZaWuki...
- How would you describe your creative process?
From inside to outside, and let go!
- How do you deal with the challenges or difficulties you encounter in creating your works?
I wait until the next step comes from inside. Sometimes, it can wait for months until it's ready, as it's an inner transformational process.
- What was your artistic training, and what were your most significant experiences in the field of art?
Completely self-taught. I always find it magical when I look at my painting and discover what something inside me has created in a kind of trance, amazed and wondering how I did it.
- What are your future plans or goals as a painter?
To find a gallery that believes in me and takes me to different events or fairs.
Interview
Interview
Crépuscule - acrylic on canvas 50x50 cm 380€